23 September 2015

Ralph and Hannah

This week on drama* on the waterfront, we're thrilled to have Ralph McCubbin Howell and Hannah Smith of Trick of the Light Theatre at Circa with their award-winning show The Bookbinder.
Ralph and Hannah recover from their sell-out five-star season at the Edinburgh Fringe Festival.
Q. Tell us about The Bookbinder – what can audiences expect?

The Bookbinder is a dark fairytale that will appeal to everyone who enjoyed The Road That Wasn’t There last year. It is an original story set in a bookbinder’s workshop about an apprentice who fails to heed his instructions and finds himself bound in a book.  We wanted to capture the experience of reading, so during the course of the performance the story comes to life.  It’s intimate, engaging and transformative.
Ralph McCubbin Howell performs The Bookbinder.
Q. You’ve just got back from Edinburgh – how was that?

We had an amazing time doing The Bookbinder at the Edinburgh Festival Fringe.  The Festival is colossal, and we weren’t sure if we’d get lost in the mix, but audiences really responded to the work.  We were sold out every day of the run, received multiple five-star reviews, and were short-listed for an award. It was really cool to be able to show our strange wee New Zealand story to an international audience and to put our work on the world stage.
Ralph McCubbin Howell performs The Bookbinder.
Q. You’ve been performing this show for the last year – what are you looking forward to about the Circa season?

We’ve done 150-odd performances of the show over the last two years, and it will be really nice to come back and do it in our hometown.  Also, we are usually on tour, packing the piece in and out of a theatre space every day.  At Circa we will be in one venue for two weeks, so we are able to transform the space into something really exciting!
The Bookbinder by Trick of the Light Theatre.
The Bookbinder is on at Circa Theatre for the school holidays.  It will delight adults and children alike.  Suitable for children aged 8 and over.
11am and 7.30pm Tuesday-Saturday
4.30pm Sunday
Book online:  www.circa.co.nz
Or call 04 801 7992

15 September 2015

Introducing Errol Anderson

This week on drama* on the waterfront, we meet Errol Anderson.  Errol is tackling his first role at Circa Theatre; he plays the extremely handsome and charming (if totally silent) Daryl in The Travelling Squirrel.
Errol Anderson plays 'Daryl' in The Travelling Squirrel.  Photo by Stephen A'Court.
How has this experience been for you?


If I could describe the experience thus far with one word it would be humbling. I mean, imagine being picked for the starting All Black line-up? One, you must've done something right to get picked and two, you're bound to get on a roll because your playing alongside some of the best. Plus I don't have any lines, which allows me to kick back and appreciate my fellow actors' processes. It has been very grounding and I get to learn something new everyday. It's a hard life!

What other productions have we seen you in around Wellington?

I was very lucky to be involved in 2080 written by Aroha White and directed by Katie Wurahi at BATS Theatre earlier this year. I remember going into the audition room lines learnt, 'dropping a free' (rapping), and it all went quite nicely. My style is pretty raw and loose when it comes to this stuff,  but Katie had my back and smashed me. My performance wouldn't have been where it was without the support and love of Hapai Production, fellow actors Susie Berry, Acushla-Tara Sutton, Nua Finau, and Aroha and Katie. These are some incredible people.
Errol with co-star Claire Waldron in rehearsal for The Travelling Squirrel.  Photo by Tabitha Arthur.
Has theatre always been a passion of yours?

I come from a house of strong and creative people. We're split into either athletes or artisans - both performers, but slightly different stages. I owe my physical discipline and creativity to my father Royce Anderson - 'The Carver' - who trained our minds and bodies to excel when it wanted to give up. Naturally, I leaned toward a career in rugby because I understood it and Raywen Anderson my mother - 'The Backbone' - taught me how to play strategically, and how to cut people in half with tackles that people would come to see. Seeing how proud my parents were sideline would fuel my drive to win. It was only a matter of time until I took these teachings and transcribed them into theatre and film; once my body could no longer take anymore serious injuries. Theatre and film are places where I can share my skills through telling stories.
Errol (front & centre) with the full cast of The Travelling Squirrel.  Photo by Tabitha Arthur.
What are the things your have found most interesting about the The Travelling Squirrel?

It's a quirky tale about how fickle the entertainment industry is and the characters you may run into on this rocky road we call showbiz. What's not to like?

What are your plans following The Travelling Squirrel?

I've recently been cast in the play All Our Sons, written by Witi Ihimaera and directed by Nathaniel Lees, which goes up in Circa Theatre after we close The Travelling Squirrel. I'm really excited to get amongst the team in this production, because I know most of the cast in one way or another and am keen to breathe life into this piece, because it is so close to home.

The Travelling Squirrel is on at Circa Theatre until 2 October.
Book now:  ph 801 7992 or www.circa.co.nz

31 August 2015

Paul Waggott and the Squirrel

The Travelling Squirrel by Robert Lord opens this week at Circa, with actor Paul Waggott playing the lead character, struggling writer Bart. Directed by Susan Wilson, this show is a satirical romantic comedy that follows Bart as he tries to get published and negotiates life with Jane his famous actress wife.  It then asks what happens when the tables turn and he becomes New York's hottest writer and Jane is axed from her soap opera job.

The play depicts a dangerous world in which fame and fortune are always, temptingly, just around the corner. Phillip Mann describes this show of Lord’s as "one of his funniest plays – just as it is also one of the most moving."
Paul Waggott, in rehearsal for The Travelling Squirrel.  Photo by Tabitha Arthur.

To learn more about the show and what the process has been like, we’ve asked Paul Waggott to share his experience of working on this script over the past four weeks.


"Robert Lord was a name I had come across before while I was studying at Victoria University's Theatre Department. I spent many hours in The Robert Lord Library. But this is the first time I've had the opportunity to work on a play by him, and it's been an absolute joy. I remember when I first read the script I was struck by how ageless it seemed. It deals with so many concepts and situations that still ring true today. I could hardly believe it was over twenty years old.
Gavin Rutherford and Paul Waggott in rehearsal for The Travelling Squirrel.  Photo by Tabitha Arthur.
"Bart is such an exciting character to play. As soon as I read the script I felt like I knew who he was, which is a testament to Lord's writing I think. I can empathise with Bart's central struggle: as the play begins he has finally finished writing his first book after five long years. His journey from here takes him through failure, to the depths of despair, out the other side with the promise of fame and fortune and beyond... It's a rollercoaster for the poor man that's for sure. I guess it speaks to me of a central question that all creatives must wrestle with at some point: to sell out or to not sell out? And, what even constitutes selling out? Is it worth holding on desperately to the integrity of your art if no one witnesses it? What if 'selling out' is the only way to get into a position where you can share your true art with the world? Bart doesn't manage to answer this question - I'm not sure it's ever answerable as such - but it sure is a good one to ask.
The cast of The Travelling Squirrel.  Photo by Tabitha Arthur.
"Amidst all the intellectual facets of the play sit some very, very funny moments. The play seems to effortlessly run the gamut from poetic beauty to straight talking real world dialogue; from the interrogation of concepts and ideas to high farce. I'm not sure how Lord managed it but it seems to me he pulled it off. Bart is surrounded by wonderful characters, from soap opera superstar wife Jane, to the life in a New York minute agent Terry, to the hedonistic gossip columnist Wallace and more. There are multiple intersecting love (and lust) triangles that I'm sure we can all see ourselves reflected in to a greater or lesser degree - none of which I shall spoil here. 

"I think what excites me most is that the characters all feel human - heightened maybe at times, but humans, not caricatures. It really is a great script, and a great production - working with the cast has been a dream come true. There's so much talent on and off the stage in this production. I really can't wait to share it with audiences through September. Why don't you make sure you're one of them!"

The Travelling Squirrel opens on Saturday 5 September, and is on at Circa until 2 October.  Book now:  801 7992 or www.circa.co.nz.
Acushla-Tara Sutton and Paul Waggott star in The Travelling Squirrel.  Photo by Tabitha Arthur.

12 August 2015

Sir Arthur Conan Doyle

This week in drama* on the waterfront, we learn more about writer, doctor and spiritualist, and author of The Hound of the Baskervilles, Sir Arthur Conan Doyle.

An Old Norfolk Saying... "And a dreadful thing from the cliff did spring, And its wild bark thrill'd around, His eyes had the glow of the fires below, Twas the form of the Spectre Hound"
Sir Arthur Conan Doyle
Author Arthur Conan Doyle wrote 60 mystery stories with Sherlock Holmes and his loyal assistant Watson. He dreamed of being a serious historical novelist, yet he is best remembered for stories that he considered pot-boilers. He drew on many sources for his stories, and it was during a visit to Sheringham, Norfolk that he learned of the hound, Black Shuck, who is said to be one of the oldest phantoms of Great Britain which inspired him to write The Hound of the Baskervilles. There are many myths, tales, legends and sightings of this monster. Local legend tells of a huge hound, the size of a small calf with blazing eyes, who regularly prowls the coastal path between Sheringham and Overstrand.

The beast is said to track the steps of its victim and anyone unfortunate enough to turn around and meet its fiery gaze is said to die within a twelve month period. The Baskerville name was apparently from a local coach driver, Henry Baskerville, whom Doyle came across during his visit. The old man kept a signed copy of the book's original pressing as a sort of recompense.
Conan Doyle was born in Scotland. When he was nine years old he was sent off to England to a Jesuit Boarding school. It was here he found his flair for storytelling as a way of escape from bullying.

When he left school he decided to pursue a medical degree at the University of Edinburgh. At medical school, he met his mentor, Professor Dr. Joseph Bell, whose keen powers of observation would later inspire him to create his famed, legendary master sleuth, Sherlock Holmes. Doyle’s first publication came in 1879 with The Mystery of Sasassa Valley.  At the same time as writing, he  pursued his studies and went on to become a physician at Southsea, Portsmouth. He eventually gave up medicine to concentrate on his writing career. In a series of stories - starting with A Study in Scarlet and The Sign of the Four - he produced the memorable character, Sherlock Holmes, a detective who relied on facts and evidence rather than chance. In 1891, six Adventures of Sherlock Holmes were published in Strand magazine, with six more appearing the next year. By 1893, The Memoirs of Sherlock Holmes, as the collected stories were now called, was a huge hit. Doyle however, wanted to concentrate on a more serious writing career and as he was somewhat tired of Sherlock Holmes he decided to kill him off.  As a result he wrote The Adventure of the Final Problem, in which Holmes and his arch enemy, Moriarty find themselves at the end of an intense pursuit, up on the top of the Reichenbach Falls in the Swiss Alps. This encounter ends with both of them apparently falling to their deaths.
Homes and Moriarty firghting at the Reichenbach Falls.  Illustration by Sidney Paget.
However, due to public outrage and financial pressures he was compelled to continue writing the Sherlock Holmes stories. The first to follow on from The Adventure of the Final Problem was The Hound of the Baskervilles, which remains today one of the most famous and popular of the Sherlock Holmes stories.
William Kircher as Sherlock Holmes in the current Circa production of The Hound of the Baskervilles.
Photo by Stephen A'Court

Around the time he obtained his medical degree, Conan Doyle’s renounced his Catholicism and turned away from organised religion.  He began to attend séances and by the end of his life he had become an ardent spiritualist.

On one level, his was the story of a lapsed Roman Catholic troubled by an alcoholic father and never quite able to cast off his sense of the supernatural; on another it was the intellectual journey of an inquisitive man, dissatisfied with Victorian materialism but intent on using its tools to examine alternative forms of consciousness. His brother died in WW1 and his son died of ‘flu during the great epidemic round the same time, thus adding to the fervor of his convictions. This was also a time when orthodox religion was giving way to Darwin and science.
Conan Doyle died in Windlesham, his home in Crowborough, Sussex, and at his funeral his family and members of the spiritualist community celebrated rather than mourned the occasion. On July 13 1930, thousands of people filled London’s Royal Albert Hall for a séance during which Estelle Roberts, the spiritualist medium, claimed to have contacted Sir Arthur.

In 1902, Arthur Conan Doyle was knighted by King Edward VII. It was not for having created Sherlock Holmes, but for his writing a non-fiction work about the Boer War. However, his legacy remains with the amazing Sherlock Holmes stories.

The Hound of the Baskervilles is on at Circa Theatre until 29 August.  Book online at www.circa.co.nz or by phone on 04 801 7992.