Ian Harman |
“The set on this production was incredible. Versatile, stylish, precise. The execution was impeccable and the entire world enchanting.”
-Rosie Cann, Art Murmurs
“…the most stunning feature is the all-wooden set (Ian Harman). It's beautiful watching Buchanan moving its parts between scenes: the slide of the slatted screen from this side to that, the lattice it makes against the horizontal lines of the backdrop, the harmonious minimalism of tone and material. It's a visual pleasure, essential to the play's character.”
-Lena Fransham, Theatreview
Ian Harman talks about his design:
I was attracted to Ache firstly because I love working with director Lyndee Jane Rutherford (LJ) and then secondly, when I read the script I had an instant connection with the piece. I wanted to design a set for a lighting designer to play with, and something that shifted and changed like the relationships in the play. I was interested in how the lattice would work and how we could use the light to define the spaces. I was thrilled with what Marcus McShane brought to the project.
The Set design for Ache. |
For the overall design I wanted it to say modern, contemporary, utilitarian, and so hot right now. And I wanted it to feel like a very kiwi interior. I feel we achieved that and I love how it works! Finn our builder finished it beautifully and it works effortlessly.
Renee Lyons and Richard Dey performing on Ian Harman's set for Ache. |
The set design for Ache. |
Ache continues at Circa until Saturday 21 November. Book now: 04 801 7992 or www.circa.co.nz
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