Showing posts with label Michael Nicholas Williams. Show all posts
Showing posts with label Michael Nicholas Williams. Show all posts

09 March 2015

Yep, Still Got It! "In my shows, the songs come first."

"YEP, STILL GOT IT!  PROVOKES LAUGHTER, STILLNESS, APPLAUSE AND CHEERS" - Theatreview


This week on drama on the waterfront, Jane Keller, the star of Yep, Still Got It!, delves deep into her creative process and her long working relationship with Michael Nicholas Williams.

Jane Keller, star of Yep, Still Got It!
Q:  Yep, Still Got It! It’s a wonderful title where did it come from?
     
JK:  Years ago, probably 10 years or so, I saw a greeting card with a flamboyant old lady on the cover.  She had grey hair and she was very round.  She was wearing black fishnet stockings and a purple feather boa. She had stylish black glasses and very red lipstick.  The caption inside the cover was "Yep, Still Got It!".  I thought that would be a fabulous title for a show.

Q:  Where did you get the idea for this show and how much change has there been since its original concept?

JK:  This show has completely changed from its original concept.  I had intended on making a show about aging.  I wanted to explore how some people embrace aging and others completely fight it. I did lots of research and started looking for appropriate songs.  As Sandy Brewer and I started writing and as Michael Nicholas Williams and I started looking at songs, the show moved in a new direction.  I decided that I wanted to embrace my life at 63.  I will make a show about aging, just not yet.

Q:  Does the script come first or the songs?

JK:  In my shows, the songs come first.  I find songs that I want to sing – some of which I know will work into the concept of the show.  Other songs I make to fit by writing appropriate linking dialogue.

Q:  There are about twenty songs in the show - how did you choose which to use?

JK:  We must have looked at over 50 songs.  We chose our favourites and the ones that really tell a story.

Q:  There are quite a few unknown songs – how did you source these?

JK:  I have the reputation of having unknown songs in my show. I look far and wide for these songs. I listen to CDs, look through my vast library of music, and spend hours searching on YouTube. I have written to composers, and gone onto artist's websites to get these songs.

Jane Keller mid-song in Yep, Still Got It!
Q:  Working once again with Michael Nicholas Williams must bring a familiarity and ease especially during the performance.

JK:  Michael and I are a great team. He is so instrumental in the early stages of putting the show together.  He is very good at making cuts in songs as well as linking songs together in medleys. He is very funny and comes up with many great concepts for our shows. He plays beautifully and I know here is always there for me in performance. If I make a mistake, he goes with me.                                  
Q:  This is your fourth solo show – was it is easier or harder to develop?

JK:  This is our fourth show together. It was easier to develop. Michael and I know how each other works.  We have a good track record.

Q:  A favourite song in the show?

JK:  The songs are mostly funny in the show.  There is a medley of four songs in the second half that is serious.  There is no dialogue - the story is told through these four songs.  That is my favourite part of the show.  I love it when someone is so touched by a song that they tear up.

Q:  You are originally from Ohio, USA – how long have you been here and have you returned to the USA to work?

JK:  I have been in NZ almost 27 years.  When I was first here, I went back to Columbus every year to sing with Columbus Light Opera. We were a professional Gilbert & Sullivan company.  I premiered by first show BIGGER IS BETTER in Columbus four days after 9/11.  I have also done DO I HAVE TO GET NAKED? in the US.

Q:  And your next project – any plans?

JK:  I know I will do a show about ageing, but I'm not sure when.  I want to keep honing and perfecting this show.  Then I want to perform it all around NZ and anywhere else that will have me.

17 November 2014

Dead Tragic: "If it's half as much fun to watch as it is to perform, you're going to have a great night."

Dead Tragic creator Michael Nicholas Williams tells drama on the waterfront all about his next show at Circa, opening in Circa Two on 22 November.


DOTW: I understand Dead Tragic arose from vocal warm ups? 

MNW: I used to bring in songbooks for a sing-along after we'd warmed our  voices.  During a show at Centrepoint in 1988 I played "Honey" and one of  the cast got very upset and wanted to know what had happened to Honey.  Another cast member said she hated Honey and preferred songs with guts like "Delilah".  I hadn't ever listened to the lyrics and didn't realise Delilah was murdered.  We then started listing songs where people died.  Dead Tragic was the result.  

DOTW: Dead Tragic has been part of your life for over 20  years – what is that like? 

MNW: So comfortable. And so much fun.  You're never far away from a Dead Tragic song - when driving home after pitching the show  to Circa last year there were 3 songs from the show on the radio.  I took it as a sign.  

DOTW: Your family has grown up around this show? 

MNW: Emma [Kinane] found out she was pregnant a week before the show opened.  We did a season in Palmerston North after our son Barnaby was born and it was because he put a clip on Facebook that the show was revived 4 years ago. He also designed the new poster and the concept of the set.  Claire (our daughter) was really no help whatsoever but she's fun to have around and she  knows all the words.      

Michael Nicholas Williams.
DOTW: What are new elements in this Circa production?  

MNW: Lyndee-Jane Rutherford.  And fabulous costumes the Partridge family would  love - thanks Maryanne Cathro.  We're also taking the time to fix those bits that we put in until we got a better idea - only took 23  years... 

DOTW: What is your favourite element of the show? 

MNW:  I love the close harmony singing - all the random oohs and ahhs.    

BOTW: Describe Dead Tragic in five words: 

MNW: Killing you unsubtly with song  

DOTW: Would you like to add anything else?  

MNW: If it's half as much fun to watch as it is to perform, you're going to have a great night.

Dead Tragic opens 22 November, with a $25 Preview on Friday, 21 November and $25 Matinee on Sunday, 23 November. To book, visit www.circa.co.nz or call the Circa Box Office on 801-7992.

29 November 2010

Organized Chaos: Robin Hood, the Pantomime

A veteran of Circa pantomimes, Michael Nicholas Williams takes a break from his work on Robin Hood to tell drama on the waterfront about the musical side of the panto experience.

DOTW: First of all, please tell us a little bit about the music in Robin Hood

MNW: A mix of show tunes, 70s ballads and hey-nonny-nonny madrigals.

Jane Waddell and John Wraight in Robin Hood. Photo by Stephen A'Court.
DOTW: How many of the Circa pantos have you been a part of?

MNW: I’ve written the music and been Musical Director for all 6.

DOTW: What can you tell us about the pantomime experience?

MNW: I get to giggle a LOT.  It’s nice doing a show that makes people happy - instant gratification!

DOTW: What is like composing music for a pantomime? Does the process differ at all from composing for other shows?

MNW: I think I approach it the same way as other shows…  But in panto-land, if I drift towards cheesy-ness I tend to linger a little longer.  What I enjoy most is finding the music for the underscoring - which part of a song becomes a character’s theme, or how can I arrange this jolly tune so that it’s dangerous and threatening?    

Also I enjoy adopting a different style of music. For example, Aladdin had (quasi) middle-eastern music (which to tell the truth was nearer to Fiddler on the Roof…), Jack and the Beanstalk was country and Dick Whittington was Music-Hall.

(left to right) John Wraight (on ground), Jeff Kingsford-Brown, Jamie McCaskill and Kali Kopae in Robin Hood. Photo by Stephen A'Court.
DOTW: What is your favourite Circa panto memory? 

MNW: At the moment I’m enjoying my 4 bars of fame at the end of Act 1 - then the bastards tell me to shut up!  I look forward to the gooey romantic ballads, and the Dames always make me laugh - you never know what’s going to happen.

DOTW: How does Robin Hood compare to the earlier pantos?

MNW: I think that’s like asking me which one of my children I love most… 

DOTW: Finally, what can audiences expect from Robin Hood

MNW: Organised chaos.

Gavin Rutherford and Jamie McCaskill in Robin Hood. Photo by Stephen A'Court.
Robin Hood, the Pantomime runs until 23 December, and then returns in 2011 for a two week season, 4-15 January. Tickets are going fast, get yours by calling the Circa Box Office at 801-7992 or going online at www.circa.co.nz

Celebrate Christmas at Robin Hood!
Bring your group of merry men or women to see Robin Hood and enjoy a specialty platter before, at interval or after the show.

The Friar Tuck (savoury)
The Maid Marian (sweet)
The Mother Hood (full dessert)

All are just $12.50 per person, not including ticket price. For more information, call Cara Hill, Audience Development Director, at 801-8137 or by email at carah@circa.co.nz.