Showing posts with label A Servant to Two Masters. Show all posts
Showing posts with label A Servant to Two Masters. Show all posts

19 May 2015

commedia dell’arte

This week on drama* on the waterfront, Colleen McColl, publicist for A Servant to Two Masters, delves into the commedia dell’arte style of theatre

commedia dell’arte = ‘comedy of the profession’, ‘theatre of the professional’, ‘comedy of art’

One of the most interesting things about working as a publicist is delving into other various aspects of the production and finding out about things not previously known. A Servant to Two Masters offered me a wonderful  chance to look more closely at commedia dell’arte.

Google is a wonderful friend!

It appears commedia dell'arte originated in streets and market places of Italy during the Italian Renaissance.

Commedia was a hugely popular form of theatre with street performers. They offered improvised stories usually representing fixed social types, stock characters, such as  foolish old men, mischievous servants and young lovers. Actors joined the company very often at a young age and in each production played one character – it became their specialty. They spent their whole careers with that same company. As they aged they would moved into other roles eventually ending up as the old master.

It was known as a colourful and extremely theatrical art form which allowed improvised scenarios that facilitated a comic plot to arrive at a humorous climax, with a happy ending.

The performers, who used masks with exaggerated comic features to draw additional attention to themselves and complement their physical and acrobatic skills, eventually teamed up in troupes of actors, often with a travelling stage, to firmly establish commedia as a genre in it's own right by the mid-1500s.  They performed outside and relied on various props in place of extensive scenery.

These "commedia troupes" performed for and were accessible to all social classes. Language was no barrier, with their skilful mime, stereotyped stock characters, traditional lazzi's (signature stunts, gags and pranks), masks, broad physical gestures, improvised dialogue and clowning they became widely accepted wherever they travelled. In later years, the tradition spread all over Europe, eventually adopting a major French influence where many of the scenarios were scripted into commedia-style plays. It is from the commedia world where such characters as Arlecchino (Harlequin), Columbine, Punchinello (Punch), The Doctor, The Captain and Pantalone emerged.

It was fascinating to learn that during this period, commedia dell’arte was the only form of theatre where women were allowed on stage.

A Servant to Two Masters was originally written in 1745 by Carlo Goldoni as part of the commedia dell’arte style of theatre which was still very popular at the time. He was commissioned to devise a play for a famous Harlequin. The story goes that Goldoni wrote it with a lot of room for improvisation (the scenario was pinned to the side of the stage), as was the tradition at that time, and then went away and left them to it. The production was a huge success but when he returned he was appalled by the indulgence of the actors.  In a fit of pique he wrote down a text for the players to learn and thus dealt a fatal blow to the centuries-old tradition of commedia dell’arte. It was the birth of farce as we know it today.

Award winning dramatist Lee Hall (The Pitmen Painters, Billy Elliot) has adapted Goldoni’s A Servant to Two Masters for our current production at Circa. He offers us a fabulous new, rapid fire version with the language updated to now to create a pacey, action-packed physical comedy.   In light of my Google time travelling, I am astounded by Lee Hall’s ability to adapt and re-boot this timeless classic so that it is relevant, funny and highly entertaining to a contemporary audience.

BRAVO MR CARLO GOLDONI! BRAVO MR LEE HALL!

All Photographs by Stephen A'Court.

A Servant to Two Masters runs until 30 May.  Tickets available online:  www.circa.co.nz

08 May 2015

Young And Hungry Servants

The Young and Hungry Arts Trust Ambassadors are a group of keen bean Year 12 & 13 students, who attend shows at Circa and others theatres throughout the year and write reviews.  They joined us at A Servant to Two Masters on Tuesday night.  Here are some of the reviews for you to enjoy!

"Live, Love, Laugh."


Reviewd by Tabatha Billington, St Catherine’s College

Circa’s production of A Servant to Two Masters, was both hilariously entertaining, while also thought provoking. From reading just the brief outline of the plot from the back of the programme, I knew I was in for an amusing evening full of laughs and inappropriately funny jokes. Two and a half hours later, I was not disappointed, I had a big smile on my face, and my stomach hurt from laughing so much. The cast, the costumes, the lighting and plot all were completely perfect, and flavoured the evening into one I shall always remember.

From the first entrance, with the characters dancing on stage, I was hooked, the set was well designed and inventive and used to the best of it’s ability, however, I found that the backdrops both looked quite similar, and so them being rearranged to show a change in location didn’t quite work as well as it could have, despite this one flaw in the evening, I thoroughly enjoyed the rest of the play. With slick, well practised staging and cues, stunts, fights, and sword duels, the show was comical without looking tacky. The plot was understandable and kept the audience absorbed in the world of Truffaldino and his tricks. A personal preference of mine, is when the actors involve the audience, which is exactly what they did last night, asking us for prompts, and using us to help their improv. The play was so well done, so comical, so captivating, that if I hadn’t been told in the Q&A afterwards that a lot of it was improvised, I never would have known. To me, this is the best kind of acting.

From the title, I was expecting a more serious play, yet with the disguises and large amounts of humour, girls dressing as boys, and the eccentric costumes, turned the play into something almost pantomime or shakespearian. There was almost a sense of it being a comedic take on Romeo and Juliet, with Florindo and Beatrice thinking that they were enemies but then once the disguises were removed, they remembered their lost love. With romance, sword fights, plot twists, humour and provocative themes, I feel that A Servant to Two Masters would be suitable for an audience of any age. The play had something for everyone, and I would definitely go see it again.
Keagan Carr Fransch plays the wise Smeraldina.  Photo by Stephen A'Court

Despite the humour and comical cover, when delving deeper into the themes in the play, one will find some quite inspirational themes, of what it truly means to be in the working class, shown through Truffaldino and how he just wants to make some decent money and have a good meal, yet doesn’t exactly use the best methods to get this. Also the theme of equal rights, shown through the maid Smeraldina who has a lot of sass and cheek, yet is still wise, and just wants to find love and help her mistress find that too. The main message I took from the play was ‘to be true to yourself’. With all the disguises and tricks and confusion and problems caused within the play, everything would have worked out easier if everyone had just been honest and true to who they were. But then of course, there would have been no play. I believe that this show was made to make people think about how we treat those who have less than us, and that if we have less than someone, does that make us worth less than them?

Overall, my night was full of laughs and fun, the show was great, and enjoyable and everyone left the theatre more positive and happy than when they arrived, the cast were great fun to talk to afterwards, and it was a nice time to catch up with some old acquaintances. I would highly recommend this play to anyone, and although I didn’t have to pay for my ticket, I believe that it would definitely be worth the $46. I wish the cast good luck for the rest of their season, and I hope each performance is as enjoyable to be in, as it was for us to watch.

"A Brilliant Performance"

Reviewed by Rebekah Ward, Taita College
  
A Servant to Two Masters was truly a brilliant performance. I read a short description of what I was getting myself into, and I wasn’t excited. The description does not do the amazing  performance justice. I was thoroughly pleased that I had been mistaken, thrilled to be deceived by the short description. I loved the energy , I felt for each and every character, and I laughed all night. The comedy was brilliantly timed and I believe the actors complimented each other well. I had my doubts about the set, however after the interval I feel that the retractable slats added atmosphere and well thought out scene changes. The lighting was minimal as was the sound, which really caused the brief lead’s and music used to have a larger impact and meaning. The costumes I feel symbolised each characters personality and behavior during the play. I feel that it would be a true sin to miss this masterpiece. It was beautiful in every way with each choice both careful and complimenting.

"A Servant to Two Masters"

Simon Leary stars as Truffaldino, photo by Stephen A'Court
Reviewed by Thomas Simpson, St Patrick’s College

A Servant to Two Masters is a played presented by Circa Theatre, which is an adaptation of an Italian Comedia piece written in the 1700s. It tells the story of a servant, Truffaldino, who in search of more than one meal a day, decides to work for two masters instead of one. He encounters some difficulty along the way, as one would expect working two jobs, but still uses his charm and trickery to make it work, even fitting in time for a love interest.

On first impression on my entrance to the show, I thought that it was a rather intriguing set up. I had no idea what to expect, the only clues that I had was of the style of housing on the backdrop which allowed me to picture myself in an olden day Italian town, but that was all that was given away.

Therefore I was given no indication of how good the performances were going to be. I found that most of the actors were able to really put across to the audience the true nature of their character, and it made for an all round fantastic performance. I particularly enjoyed the performance of Simon Leary as Truffaldino. I found his charm to pair perfectly with the character of Truffaldino, his athleticism and humour make him enjoyable and relatable, and his involvement of the audience really helped me to understand the story, which was hard to follow in the beginning. I also found that the personal monologues of all the characters that were directed at the audience a huge help in understanding what was going on in the play. Having not researched the play beforehand I did get lost in some places, particularly at the beginning, but the characters showing their train of thought helped me to understand the motives and the plot.

In conclusion, I came away from the play with an overall happy and content feeling. The laughs and overall vibrant vibe of the play made sure I thoroughly enjoyed every second of it. I came to it not knowing what to expect, but I came away with a smile on my face. If you’re looking for a play to make you smile and laugh a little, I thoroughly recommend this play, it is a must see and you must go along to Circa to see it as soon as you can. It runs from the 2nd to the 30th of May.


29 April 2015

Kathleen Burns in A Servant to Two Masters

This week in *drama on the waterfront, Kathleen Burns answers questions about playing Beatrice in A Servant to Two Masters, which opens at Circa on Saturday 2 May.

Kathleen Burns
Q. You are based in Christchurch and I believe this is the second Circa Theatre production you have been cast in?

KB: That's right. Last year I came to Circa for the first time to play Jill in Mother Goose. I was introduced to the madness that is the Circa Summer Pantomime, and also the delightful madness that is Gavin Rutherford and Simon Leary! They are two of the funniest actors I've ever worked with, and their work in rehearsals for A Servant to Two Masters has me in stitches every day.

Q. Did you know the Goldoni play before you were cast?
                                                                    
KB: Yes! Or rather, I knew a different modern adaptation of it. In January this year I finished a season of One Man Two Guvnors at The Court Theatre. This was Richard Bean's adaptation, set in Brighton in 1963. The character I played was Rachel Crabbe, and I'm playing the equivalent character here at Circa, who in this version is called Beatrice.

Q.What appealed to you when you first read this adaptation of A Servant to Two Masters?

KB: There were two main pull factors to come back to Wellington for this show.

One: As I mentioned, I'd just come off a season of One Man Two Guvnors. What would it be like to play the same character in this 200 year old story but through somebody else's lens? Would I play the character in the same way? As it turns out, the answer to that one is "no." My voice and physicality for Beatrice in this version is completely different to Rachel! And I adore that. Two characters who look, sound and move differently, who live in totally different worlds, but who at their hearts just want the same thing and are essentially living the same story.

Two: The second reason is that I blatantly just wanted to come and get up to comedic mischief with Gavin Rutherford and Simon Leary again. Those two are truly alchemists when it comes to making comedy gold, and if I can bask a little in the gleam of it then I am one happy actress.

Kathleen with Simon Leary, who plays Truffaldino in A Servant to Two Masters
Q. You are playing a character called Beatrice who is disguised as a young man. Has that brought certain challenges?
         
KB: I think it's fun. I've always enjoyed gender bending shenanigans! Everyone should have a go at it. When I'm playing another gender, it actually starts to illuminate to me the things I assume my own gender identity to be. When adopting a manly voice in my lower register, I feel stronger and more powerful. Does this mean that I equate masculinity with power? If so, does that mean I equate femininity with weakness! I would certainly hope not, but maybe I make assumptions subconsciously. I could talk gender politics for hours... Somebody stop me!

Kathleen's role includes physical comedy and sword fighting.
Q.  Last year was very busy and successful for you. What were some of the highlights

KB: I'm going to pick 3 highlights:
  • Playing Linda in Blood Brothers. Such a beautiful musical and a gift of a role.
  • Doing The Court Theatre's opening night of White Rabbit Red Rabbit. If you haven't heard of this show, then you are missing out! It's just one actor, but a different actor every night. There is no rehearsal, you just walk out on stage and are handed the script in an envelope. The actor discovers the play at the same time the audience does and it is one hell of a ride!
  • Continuing to be a part of Scared Scriptless. This is a late night improvised comedy show which I've been doing for more than a decade now with The Court Jesters. I love this work. Sharp, dangerous, hilarious improvised comedy at its best. We were also the second highest selling New Zealand works of 2014 which I'm very proud of.                           
Q. A favourite role you have played? 

KB: Today I'm going to say playing Grace in Duncan Sarkies' Saving Grace at The Court Theatre in 2010. I got to hit a lot of stuff with a hammer, including Jon Pheloung. Fun!

Q. And one that is an ambition to play?

KB: One day... one sweet day... I would love to play Mrs Lovett in Sweeney Todd. Sometimes I practice A Little Priest in my bedroom, shower or car just so I'm ready when the magical moment happens...

A Servant to Two Masters opens on Saturday, 2 May 2015, and runs until 30 May.  Tickets are on sale now:  www.circa.co.nz or call the Box Office on 04 801 7992.