Showing posts with label Pasefika. Show all posts
Showing posts with label Pasefika. Show all posts

10 March 2014

Pasefika: "You have to live here, you have to be one of us, to get it."

Award-winning playwright Stuart Hoar tells drama on the waterfront about how he came to write Pasefika.


“This play was inspired by my coming across an image of a print from the nineteenth century by an artist I had never heard of before. The image was  mysterious, intriguing and provocative; here in the 1860’s was a French artist imagining Paris being invaded by the Pacific.

And so I did more research and discovered that Charles Meryon lived for two years in the then French colony of Akaroa (c 1844 -45). His experience of life with the Maori people who also lived there left its mark on his work and his imagination in a profound and strongly dramatic way.


I also discovered that Meryon had been approached by the poet Charles Baudelaire to jointly produce a work of etchings and poetry – this fact for me was the spark I needed to write this play.

I wanted to contrast the romanticism and cynisim of Baudelaire with the eccentric but heart felt passion of Meryon, and compare their life in Paris in a theatrical rather than documentary way to an equally playful dramatised version of Meryon’s experiences in Akaroa, and evoke the synthesising and profound effect his Akaroa experiences had on him as a human and as an artist. Akaroa changed him as a man, it also changed his culture, and in the play this knowledge and vision of Meryon is something Baudelaire never understands.



You have to live here, you have to be one of us, to get it.


I wrote the play while living in France as the Katherine Mansfield Fellow for 2007 and found much useful material on Meryon in the Bibliothèque Historique de la Ville de Paris, (a public library specializing in the history of the city of Paris).”


Reviewers have been loving it …

"What fun to be immersed in this wonderfully playful imagining ... A cast of four play seven characters and from the moment they rise to the stage as if materialising through a Meryon etching, we are hooked." - John Smythe, Theatreview


"Brilliantly imagined, thought provoking, witty and multi- layered … Pasefika is a play that generates a lot of discussion " - Mary Bryan, Wanganui Chronicle


"The cast is excellent, with George Henare in top form as Baudelaire" -  Dominion Post

Pasefika production photos by Stephen A'Court.
"Sophisticated, provocative and endlessly playful" - Metro Magazine

Pasefika runs in Circa One until 29 March. To book for a performance during the NZ Festival (until 16 March), visit Ticketek. To book for a performance during the post-Festival Circa season, visit the Circa website or call the box office on 801-7992.

17 February 2014

Find out what the cast and crew think of Pasefika

This week on drama on the waterfront, meet the cast and hear from the designers of Pasefika, Circa's show for the New Zealand Festival. 

From the Cast...

George Henare


Baudelaire / Te Rangi



“Insane! I love it!” My immediate reaction on reading this wonderful, articulate romp through French history. Stuart has given us all the theatrical elements, the intrigue, the dissembling, the emotional turmoil, the pleasure and the drama that only ‘ze’ French could experience in one day, let alone in 2 hours. 
Loving working with the Circa team again. Can’t wait to share this craziness with the audiences."


Jason Whyte


Charles Meryon



“It is an honour to be sharing the stage with some of NZs finest actors, and a wonderful challenge to get inside the mind of Charles Meryon.” 






Emma Kinane


Jeanne Duval / Madame Bourgeois




Pasefika is an inspiring production to be involved in; the rehearsal room is buzzing. An exciting new script, a creative design team that's twice the usual size, and the added zest of being part of the Festival. It's like Theatre Christmas in February.”







Aroha White


Louise Niveau / Ruiha



“I feel as is Stuart was living in Paris with Meryon and Baudelaire while he was writing Pasefika.  His words are cheeky, challenging, lusty and a pleasure to commit to memory.”





From the Designers…

 Andrew Foster 

Set Design

There's no escaping Pasefika as a complex design proposition. A weaving of diverse cultures, multiple locations, and I think most intriguingly; of memories. Stuart Hoar pronounces his surrealism by anachronistically allowing the play to slip in and out of its historical period. Contemporary urban references float through Paris in the late 1800's, and as in the central character's art works, the boundaries of culture, geography and physics become blurred in recall. During the design process I've been fascinated by the way in which the mind reconstitutes images from memory, and the distortion of facts by feelings. Charles Meryon's etchings reflect a hyper-real amalgam of both his experience and his emotional responses, with the effect of endorsing perception over reality. I suppose that this has become my key premise in designing Pasefika. An attempt, if you will, to chronicle a landscape of the mind.

In collaborating with 3 other very talented designers (in the areas of AV, sound and light) I've also been conscious of trying to maintain a sense of space for the audience to allow room for the viewers imagination to engage with the work.

Marcus McShane

Lighting Design



Pasefika is a play that thinks a lot about conventionality, both in art and in history, and explores the life of someone who breaks with it. It seems only right to follow this lead, and break with a lot of lighting conventions as well. 

We're working with a layering of angle and texture along (and even through) the set, and are repurposing an architectural light-work that bridges traditional light and projection in order to incorporate it as well.



Johann Nortje

Video Design

The AV (video projection) in this show is used as a very important part of creating each scene as well as aiding in the story telling. As the design of the show is very abstract compared to standard realism, the video projection thrives on this freedom to create and aid in the turmoil and visions of the characters.



Tane Upjohn-Beatson 

Sound Design

When Captain Cook first heard traditional maori music he was awed and unnerved by its passion but unfamiliarity and out of tune-ness to the western ear. Meryon must have had similar experiences of the natural soundscape and music of New Zealand, that haunted him for decades to come.
Instead of focussing on realism, the sound design and music of Pasefika focuses on creating for the audience the same sense of infatuating otherness, and a dreamlike juxtaposition 19th century France, New Zealand, and New Zealand today. 


Pasefika is on at Circa Theatre from 22 Feb – 16 March. For Festival dates, please book through Ticketek (details below). For the post-Festival season, please book at Circa (details below).

BOOKINGS: for performances 22 Feb-16 Mar (New Zealand Festival), call TICKETEK on 0800 842 538 (www.festival.co.nz or www.ticketek.co.nz)

BOOKINGS: for performances 21 Feb and 18-29 March, call Circa Theatre on 801-7992 (www.circa.co.nz)

Show Times: Tue and Wed 6.30pm, Thu-Sat 8.00pm, Sun 4.00pm.