13 December 2010

Wharfside Restaurant: And a Fantastic Year it's Been!



Well it’s that time of year again, Christmas is fast approaching and it is a busy time for all.  We wanted to finish up the year with an overview of our year at Wharfside Restaurant & Café. 

CLIENTS AND CORPORATES

We wish to extend our thanks to our many loyal customers and corporate clients.  We have had a large number of successful functions this year for groups from Government Departments, schools and the education sector, professionals, banks, Returned Serviceman Clubs, Coach Services, Corporate sponsors and many more.  We also welcome those clients who were new to us this year and hope they found Wharfside and Circa a relaxed and well-organised environment for their functions. We hope to see you again next year!

FUN THEMES THIS YEAR

We have had a variety of events we could really have some fun with this year including themed events tying into shows.  We had a 1920s theme for The Great Gatsby, during which the staff dressed in 1920s attire and with decorations and music to represent that era.  This was lots of fun for customers as well as staff, a real talking point.  We also had Mauritius – a suspense play about stamp collecting.  We organised a special wine in connection with the theme of the play after discovering a winery in Marlborough who do a wine label that depicts an adaptation of the 1989 Kiwi New Zealand stamp.  We also had a fundraising cabaret evening which was put on by some of our staff who attend Toi Whakaari (the NZ drama school).  This was an excellent evening and showed the talent of up and coming artists yet to come through to the main stage.  The Birthday Boy was another show that had a great theme.  We introduced birthday packages for this show, with many groups enjoying the bubby and birthday cake package especially.  We had quite a few stunned birthday boys and girls whose families had arranged a surprise birthday evening out with these packages and a happy birthday song sung by the cast at the end of the show. 



NEW TO WHARFSIDE THIS YEAR

We had a new chef come on board at the beginning of this year and he outdid himself with two fantastic new menus.  The current menu has some old favourites as well as some new and exciting dishes.  With being located on the waterfront, we decided to have more of a seafood lean to our menu which customers seem to be really enjoying.  

Also just recently, as well as having our evening restaurant, we have opened as a daytime café with an a la carte menu together with savoury and sweet counterfood, scones , muffins, great coffee (of course!) and much more. 



CHRISTMAS AT WHARFSIDE

We always celebrate Christmas with lots of vigour at Wharfside.  With two Christmas trees, plenty of decorations, classy Christmas music and, on request, themed Christmas tables for functions (and even Santa, if you’re lucky), it really feels like Christmas.  With so much going on at this time of year and not much down time, it is nice to come to Circa and Wharfside, especially with the kids, to enjoy a relaxed meal in a Christmassy environment and a wonderfully funny and engaging show – this year the Pantomime Robin Hood.  



All of us at Wharfside wish you a very Merry Christmas and a safe and Happy New Year.

Dee Ryan & Martin Halliday
Owners Wharfside Restaurant & Café


Wharfside will be closed from 24 December to 3 January, reopening on 4 January at 10 am with the daytime cafe. Bookings are recommended for evening dining, please call 801-7996 to make your reservation.

06 December 2010

The Second Test

After a sold-out season at BATS Theatre earlier this year, Circa is delighted to welcome The Second Test into the final Circa Two slot of 2010. Writer/performer Jonny Brugh takes some time to tell drama on the waterfront about what inspired him to bring this iconic story to the stage.

Jonny Brugh.
DOTW: What drew you to the story of The Second Test?

JB: The drama and emotions surrounding the story. I wanted to bring the story to life for today's younger generations to help put their own sense of being a New Zealander into context.

DOTW: What changes (if any) have been made for this return season?

JB: I wanted to bring the Tangiwai tragedy into the foreground, as initially I had been reluctant to show much of the crash. It’s an incredibly sensitive thing to work with.

I’d also like to bring Bert Sutcliffe into the foreground more, but not as the obvious hero. To paint a clear picture of the continuation of the tour and how the Tangiwai events effected the following months for the players and Bob Blair.

DOTW: What effect did Bob Blair’s attendance have on you and the show?

JB: Having performed the show in Auckland I knew what I had made and how the public had received it. More so from the men who have played cricket with Bob Blair and know him. I had pats on the back from a few very respected men of cricket's past. I was proud of it. I was confident the show would tell the story well and with theatrical effect.

I didn't know to what extent Bob Blair would feel emotionally, which had always been a major concern, that the play would bring up old emotions for him. Opening night at BATS was the most special and important night for me as a storyteller. As I warmed up to “Reserved- Bob & Barbara Blair And Family” across the entire front row, three nights in a row, I felt more calm and ready than I would have a year earlier. In some ways I felt understanding and closeness with Bob having had correspondence through 2009. After that opening night at BATS, Bob told me what it was like to be there on opening night and to have it bring up old emotions. He has given his blessings for me to use creative license in bringing the tale to life after having read the script. During the season Bob and I spent some time talking about the events in person but neither of us needed to talk too much about the toughest of events in 1953/54. Had I been a younger man I may not have been about to understand.

Jonny Brugh and Mr. Bob Blair.
DOTW: What’s your favourite part of the show?

JB: Being the team turning up for role call at the Wellington parliament buildings at the start, full of humour, dry wit and drawl excitement.

DOTW: What can our Circa Theatre audiences expect?

JB: A truthful tale of young men on their first OE, testing their skills against the best in the world. The excitement of that experience ripped in two by one of New Zealand's most tragic events. A window into 1950's NZ at a time of great national pride but told on an intimate man-to-man level. An energetic portrayal of a bunch of men full of Kiwi-isms and humour, ending with a reminder of how we saw ourselves post WW2. A depiction of how sport can be both a silly past time, an obsession and a telling reminder of the split personality of the Gentleman's game. In the loosely quoted words of Dick Brittenden: “If men are to be how we are -we could do a lot worse than play cricket.” 

Tickets are now available for The Second Test, on in Circa Two from 7-23 December. To book, call the Circa Box Office at 801-7992 or go online at www.circa.co.nz. 

Announcing the 2011 Circa Season!

Circa Theatre is pleased to announce the 2011 line-up, our 35th season of plays! The annual brochure is now available, please feel free to stop by Circa to pick up your copy.

Roger Hall’s Robin Hood, the Pantomime, 4-15 January, Songs by Paul Jenden and Michael Nicholas Williams, Directed by Susan Wilson, Circa One

The Motor Camp, 23 January – 19 February, A comedy by Dave Armstong, Based on a story by Danny Mulheron, Directed by Danny Mulheron, Circa One
WORLD PREMIERE/NEW NZ PLAY


Heat, 25 January – 19 February, Presented by Ice Floe Productions, A play by Lynda Chanwai-Earle, Directed by David O’Donnell, Circa Two

The Improvisors 21st Anniversary:
Improv Cage Match, 22-26 February, Circa Two
Theatresports, Sundays 8 May – 10 July, Circa Two
Snake Oil, 15-18 May, Circa Two
Politics – The Musical, 17-21 May, Circa Two
PART OF THE NZ INTERNATIONAL COMEDY FESTIVAL
Improvised Comedy for Kids, 18-30 April, 18-30 July, 10-22 October, Circa Two

The Dominion Post Season of Our Man in Havana, 26 February – 26 March, By Graham Greene, Adapted by Clive Francis, Directed by Ross Jolly, Circa One
NZ PREMIERE


Fairy Stories, 11 March – 9 April, By Paul Jenden, Directed by Paul Jenden, Circa Two

August: Osage County, 2 April – 7 May, by Tracy Letts, Directed by Susan Wilson, Circa One, Season proudly supported by Peter and Mary Biggs

BeatCamp, 16 April – 14 May, Presented by Total Entertainment (NZ) Ltd, Circa Two
RETURN SEASON

Boomers Behaving Badly, 24 May – 11 Jun, Jane Keller, Michael Nicholas Williams on piano, Directed by KC Kelly, Circa Two

Meet the Churchills, 18 June – 16 July, By Paul Baker, Directed by Ross Jolly, Circa One
WORLD PREMIERE/NEW NZ PLAY

An Oak Tree, 2-30 July, By Tim Crouch, Directed by Andrew Foster, Circa Two
NZ PREMIERE


When the Rain Stops Falling, 30 July – 27 August, By Andrew Bovell, Directed by Susan Wilson, Circa One

Eight, 6 August – 3 September, By Ella Hickson, Directed by Simon Vincent, Circa Two
NZ PREMIERE

Four Flat Whites in Italy, 3 September – 7 October, By Roger Hall, Directed by Ross Jolly, Circa One
RETURN SEASON

I, George Nepia, 8-17 September, By Hone Kouka, Directed by Jason Te Kare, Circa Two
WORLD PREMIERE

He Reo Aroha, 21 September – 1 October, By Miria George and Jamie McCaskill, Directed by Hone Kouka, Circa Two
RETURN SEASON

Sex Drive, 15 October – 12 November, By Lorae Parry and Pinky Agnew, Directed by Jane Waddell, Circa One
WORLD PREMIERE


Roger Hall’s Aladdin, the Pantomime, 19 November – 23 December, Songs by Paul Jenden and Michael Nicholas Williams, Directed by Susan Wilson, Circa One

To book tickets to Circa shows, please contact the Box Office at 801-7992 or go online at www.circa.co.nz.

29 November 2010

Organized Chaos: Robin Hood, the Pantomime

A veteran of Circa pantomimes, Michael Nicholas Williams takes a break from his work on Robin Hood to tell drama on the waterfront about the musical side of the panto experience.

DOTW: First of all, please tell us a little bit about the music in Robin Hood. 

MNW: A mix of show tunes, 70s ballads and hey-nonny-nonny madrigals.

Jane Waddell and John Wraight in Robin Hood. Photo by Stephen A'Court.
DOTW: How many of the Circa pantos have you been a part of?

MNW: I’ve written the music and been Musical Director for all 6.

DOTW: What can you tell us about the pantomime experience?

MNW: I get to giggle a LOT.  It’s nice doing a show that makes people happy - instant gratification!

DOTW: What is like composing music for a pantomime? Does the process differ at all from composing for other shows?

MNW: I think I approach it the same way as other shows…  But in panto-land, if I drift towards cheesy-ness I tend to linger a little longer.  What I enjoy most is finding the music for the underscoring - which part of a song becomes a character’s theme, or how can I arrange this jolly tune so that it’s dangerous and threatening?    

Also I enjoy adopting a different style of music. For example, Aladdin had (quasi) middle-eastern music (which to tell the truth was nearer to Fiddler on the Roof…), Jack and the Beanstalk was country and Dick Whittington was Music-Hall.

(left to right) John Wraight (on ground), Jeff Kingsford-Brown, Jamie McCaskill and Kali Kopae in Robin Hood. Photo by Stephen A'Court.
DOTW: What is your favourite Circa panto memory? 

MNW: At the moment I’m enjoying my 4 bars of fame at the end of Act 1 - then the bastards tell me to shut up!  I look forward to the gooey romantic ballads, and the Dames always make me laugh - you never know what’s going to happen.

DOTW: How does Robin Hood compare to the earlier pantos?

MNW: I think that’s like asking me which one of my children I love most… 

DOTW: Finally, what can audiences expect from Robin Hood? 

MNW: Organised chaos.

Gavin Rutherford and Jamie McCaskill in Robin Hood. Photo by Stephen A'Court.
Robin Hood, the Pantomime runs until 23 December, and then returns in 2011 for a two week season, 4-15 January. Tickets are going fast, get yours by calling the Circa Box Office at 801-7992 or going online at www.circa.co.nz. 

Celebrate Christmas at Robin Hood!
Bring your group of merry men or women to see Robin Hood and enjoy a specialty platter before, at interval or after the show.

The Friar Tuck (savoury)
The Maid Marian (sweet)
The Mother Hood (full dessert)

All are just $12.50 per person, not including ticket price. For more information, call Cara Hill, Audience Development Director, at 801-8137 or by email at carah@circa.co.nz.