DOTW: Is A View from the Bridge your first
Miller play?
AS: It is indeed. And what a piece to start
with! I’d never read any of Millers plays - contrary to popular belief, I
actually studied commerce, not theatre, so the last four years were spent
reading textbooks on marketing, human resources and tourism, not Shakespeare,
Williams and Miller. I was, however, lucky enough to see The Price last
year, which I really enjoyed, and after seeing A View from the Bridge appear in the 2014 Circa programme I
managed to find a script online and fell in love with it. He has such a great way
with words and I now understand why many believe him to be the best Western
playwright of the 20th century.
Acushla-Tara Sutton |
DOTW: What are the things you have found most
interesting about the play and Miller as a writer?
AS: The main thing that attracted me to this
particular play was the language. It’s written dialectally so even just on the
page you’re drawn into the detailed world Miller has created. It was also first
written as a one act play entirely in verse and some of that poetic intention
is left behind, which enhances the dialogue Miller has written in the version we
have today. I also enjoy Miller’s focus on relationships: what they should be
and what they can be … but you’ll have to come see the show to understand what
I’m talking about.
DOTW: And the most testing?
AS: Hands down the passion of the piece. I’m
playing a young Italian-American woman who has been raised in Brooklyn, New
York, just emerging from puberty. Each one of those components affects the
scale of her emotional responses, so altogether it is an extremely passionate
piece. Being a New Zealander the key challenge has been embodying that passion,
jumping far out of my comfort zone.
Acushla and Jude Gibson in the A View from the Bridge rehearsal room. |
DOTW: When you first read your role of
Catherine what was your first reaction?
AS: I fell in love with her beautiful naïveté
and identified deeply, as any woman can, with her struggle and confusion as she
attempts to navigate the adult world for the first time. I dislike the word
‘tragic’, but I think it describes her situation best. A sweet young girl,
falling in love for the first time, confronted with an unexpected hurdle. She’s
tragically sweet.
DOTW: Last year was very busy and successful
for you. What were some of the highlights?
AS: In total I did 5 shows and a directing
piece for Victoria University, as well as full-time tertiary studies. Finishing
my studies was amazing. I finished in November, half way through the run of Con in Circa Two. After four years of
juggling performance and studies it was great to be able to focus purely on my
first passion. I also toured for the first time, performing in festivals in
Wanaka and Christchurch with NZ Site Specific shows Salon and Hotel.
Alex Greig, Acushla and Paul Waggott. Photo by Laura Kavanagh. |
DOTW: And this year seems, so far, pretty busy
too.
AS: It’s my first year ‘in the real world’ so
it’s been a little nerve-wracking, especially in an industry known for its
risk. It has been pretty busy, which I am so thankful for. I’ve worked behind the scenes on a couple of
films, performed in the return season of Kings
of the Gym, a development piece called 2080 and am now working on this show. I also recorded my first
audiobook reading for RNZ and worked on a commercial. Long may it continue!
DOTW: And after A View from the Bridge – have
you any plans?
AS: I’ll be heading up to Auckland after we
close this show to see my sister perform in Hairspray. Aside from that (and a well-deserved rest!) I do not
have anything booked in for the year yet. Time will tell I guess. For the
meantime I’m just keen to get this show up and running and for the public to
experience the intensity we’ve been living with for the past four weeks.
The A View from the Bridge cast on the 4th of July. |
A View from the Bridge opens on 19 July and runs until 23 August. There will be a $25 Preivew on Friday, 18 July and a $25 matinee on Sunday, 20 July (although the matinee is nearly SOLD OUT!). To book, call the Circa Box Office on 801-7992 or visit www.circa.co.nz.
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