Miss Bronte is well underway with great reviews and audience
feedback. Every night after the show there are groups of audience members
congregating to discuss the play over a glass of wine. People are flicking
through their memories to remember sections of Jane Eyre, Wuthering
Heights and Villette which are referenced in the play. Many people
are murmuring that it is time they re-read the novels. We are so excited to be
inciting the kind of vigorous conversation that we regularly had in the
rehearsal room.
We now have all of our pre-show rituals well under control.
The wonderful stage manager/technician/Jill-of-all-trades Deb McGuire spends hours carefully placing each page of paper on
the set and double checking all of the lighting states. Then she has the
arduous task of dressing Mel. Victorian women had so many layers of garments!
We have to put on the boots, bloomers, corset, crinoline, petticoats and
then the dress itself.
That done, she begins Mel's hair. We have researched
hairstyles of the day and had many options, but needed to settle on only one.
It is important that the character looks the same every night. That is 'her' hair.
Because
the clothing is so restrictive, Mel is very limited in what she can do once in
costume. We joke in the dressing room that this is exactly as it would have
been for Charlotte Bronte with her loyal servant Tabby dressing all three
sisters every morning. Charlotte had a lovely relationship with Tabby. She had
lived with the family most of Charlotte's life. In her old age, Tabby used to
miss parts of the potato skin when she was peeling the potatoes. Instead of
chastising Tabby, Charlotte would secretly peel the rest of the potatoes
herself, so as not to upset Tabby.
No comments:
Post a Comment